<a href="https://www .flickr.com/photos/joshsisk/17465076079″ title=”Mac Miller & Soundstage 2015-05-05 by Josh Sisk, on Flickr”>
MAC MILLER
DOMO GENESIS
PACKED house, right after the curfew was over… it was great to see so many people having a great time at this. Also cool to see Domo Genesis play, the first time I ever saw and met him was on the very first Odd Future Wolf Gang Kill Them All tour.
BUY MY PHOTO PRINTS | SEE ALL THE MAC MILLER / DOMO GENESIS PHOTOS HERE
Finally catching up on some photos from before Baltimore Uprising… the Buzzcocks have always been great, since the first time I saw them in 99 or so with the Lunachicks in New Orleans, they always put on a great show… fun seeing them in a big room again after the more intimate Ottobar show last time.
Did a studio session at my Hampden studio with Baltimore recording artist Aldous Huxley aka AHUX, formerly known as Bigg Patch. Hit me up if you need photos for album art, promo, or the like.
ENSLAVED
YOB
Consistently great metal shows at Baltimore Soundstage. I had never seen either of these bands before. Yob was a band I’ve heard alot and enjoy, thought they might have been a “relaxed” band life before I saw them, but the life show was good. Made me want to crank the albums up when I got home. Enslaved is a band I’d always heard a lot about, but wasn’t super familiar with – they were great! Amazing stage presence, with little to no ‘kult’ stuff that can sometimes be a little much with European bands. They loved the crowd and played to the crowd (and the photographers) perfectly, really great performance.
See all the ENSLAVED & YOB photos here | BUY PRINTS of my photos, including some from this show
Government Issue, the legendary DC hardcore band fronted by John Stabb, played a surprise show at the Ottobar recently. Pretty cool getting to see them play just blocks from my house, on a icy Sunday evening.
See all the GI @ the Ottobar photos here | Buy prints here, including several from this show
NAPALM DEATH (featuring Erik Burke from Brutal Truth)
EXHUMED
IRON REAGAN
Great show, stacked line-up. Napalm never disappoints, though I was curious why Mitch Harris wasn’t touring with them. Hopefully that’s temporary, though Eric Burke filled in nicely. Voivod was really good and fun, though I am not a big fan of their later material, they played a bunch of classics… as did Exhumed, who even joked from stage that they would play the old material if the crowd didn’t object to a new song or two. It’s fun to see bands have a good attitude about the fans wanting to hear “the hits”. Iron Reagan, solid as always – Tony joked about how often he is at Soundstage in one band or another.
Found these photos of a Noisem practice from 2013 lurking on my photo drive, never posted before. This Baltimore metal band has come a LONG way since these were taken…
Two of the most interesting people making experimental music today performed to a packed Metro Gallery last week. Pharmakon’s two full-lengths, Abandon and last year’s Bestial Burden, both made it to close the top of my best of lists in their respective years. She has a way of making challenging music that easily fits into the realm of noise but also is very listenable in a way that most music from that genre is not. “Listenable” is probably not the best way to describe the hellish soundscapes she creates, yet they are extremely captivating records that seems to be able to cross over to metal listeners as well as avant-garde/experimental. I’ve seen her perform three times now and each performance she seems to bring in new elements and work with the crowd aspect more and more – at Metro Gallery, she wound her way through the crowd, getting her microphone snagged on people and furniture, at one point the audience had to struggle and pull on the microphone cable en masse as she ascended back onto the stage – it was pretty interesting to watch.
Drew Daniel (of Matmos fame)’s the Soft Pink Truth project flew under my radar for many years, but when he announced that his most recent record would be a series of Black Metal interpretations entitled Why Do the Heathen Rage?, I took notice. It’s a really odd record, idiosyncratic electronic/dance versions of classic black metal tracks. And, lest you think Daniel is making fun of the genre… well, he is, sort of, but it’s the loving sort of jibe that comes from a true fan who has encyclopedic knowledge of his source material. The record won lots of accolades, including “Best Thing Ever” from the City Paper, and has led to several pretty amazing live performances, the latest of which is the one pictured above. Really unique artist that I recommend you go see if you have a chance.
VIEW ALL PHOTOS FROM PHARMAKON & THE SOFT PINK TRUTH HERE | SEE THE CITY PAPER GALLERY HERE
BUY PRINTS HERE (including a few from this show)
HAYMAKER (look at A389 head honcho Dom’s expression in that last one)
WARXGAMES
MAGRUDERGRIND
IN COLD BLOOD
LIKE RATS
SEX PRISONER
Scaled down a little this year, but still a blast! I was only able to make it to half of the 4 shows that comprised this year’s event but still managed to catch a bunch of great performances, see some homies, and dodge some fireworks at Haymaker. Seeing them in that small, smoke-filled room was really a surreal highlight of my show-going so far this year.
VIEW ALL MY PHOTOS FROM A389 BASH 2015 HERE | Read my preview of the bash in City Paper
Thomas Dolby
Birth (Defects)
Uploaded some odds n’ ends last night, among which were included the above: photos from Thomas Dolby’s (of she blinded me with science fame) first DJ performance, which was at the Paradox in Baltimore, and photos from a Birth (Defects) show at the Wind-up space, among many more. I still post photos on my Flickr, because of ease of use and the fact that I just have such a huge library already there, so if you want the raw feed, follow me there.
A note about the Dolby DJ set- it was pretty disappointing, I must say. Partially because so much effort was spent on presentation, so I was expecting something pretty cool. He had a DJ booth set up like a machine gun emplacement, with sandbags and walls and stuff, and a big projection thing going. But his DJ selections were just standard 80s fare… nothing too bad or anything, but the song selection just didn’t match up to his level of art direction.
Ed Schrader’s Music Beat
Yonatan Gat
Paperhaus
Post Pink
ESMB = best band in Baltimore! It was good to see them with a responsive crowd – there were plenty of people really stoked to see them play a hometown show. When Yonatan Gat started I was like “uh-oh, this is NOT for me” but they managed to win me over, I ended up really liking their set.
I shot and wrote a thing for Noisey about the Marilyn Manson tour opener at the Fillmore… photos above, here is the text:
Yesterday, I got the all-clear to shoot the Marilyn Manson tour opener in scenic Silver Spring, Maryland. After a hiatus of sorts, my generation’s number one shock rocker is back with a comeback album, The Pale Emperor, and this show would be the first chance for live impressions. I’ve never been a Manson fan really; as a teenager, I liked some of the early songs like “Lunchbox,†and once saw him open for Nine Inch Nails, but by the time he hit full superstar mode, I was too busy listening to hardcore and screamo records to care very much about what Brian Warner was getting up to. Still, the guy is an icon—of course I wanted to see his show!
After navigating a line that literally wrapped around the block (later, I was told that concertgoers had started lining up twelve hours before doors), I went in expecting some serious 90s rockstar antics. I wasn’t disappointed. In a set filled with solid hits, Manson’s show also featured multiple costume changes (including four costume changes for the microphone itself), casual cockiness and furious anger at the sound guy, calls for fans to throw drugs on stage (he casually picked up one baggie containing an impressive amount of powder and filed it away in his back pocket for later), a contingent of women with their tops off and Manson lyrics written on their bodies, and of course, calls for the crowd to suck his dick. In true rock star fashion, any time he was done with an object—a microphone, an open bottle of water, a glass of liquor—he just let it drop to the ground, and someone would scurry over there to put it back in its rightful place without the show missing a beat.
After the show—which was entertaining enough to me, a non-fan, to stay until the end—the overall fan reaction seemed pretty ecstatic. One gothy teenager beamed at me and asked if I also thought that it had been the best concert ever. A few people I spoke to did say that they were disappointed with his vocals (though I must say that they sounded generally fine to me). I asked them if they thought that made the concert suck, and one of them replied enthusiastically, “No! Marilyn Manson can’t do a bad show!â€
Read WELCOME BACK TO THE DOPE SHOW: PHOTOS FROM MARILYN MANSON’S ‘THE PALE EMPEROR’ TOUR OPENER on Noisey | SEE ALL THE PHOTOS HERE
Always amazing – one of my favorite bands of all time. So stoked to get to see them in my city. If you ever get the chance, don’t sleep. I almost skipped their Philly show in 2013 and it ended up being one of the best shows I have ever seen, and I see ALOT of shows. Classic band.
NIGHTBIRDS
MUNICIPAL WASTE
WAR ON WOMEN
OLD LINES
TORCHE
STACKED show. Managed to see two of the best local punk bands opening for a pretty great array of touring bands. Fun night. Soundstage continues to kill it, show-wise.
As per the tradition, here are my personal favorite photos from 2014, posted in no particular order. I even managed to get them up in January this time! Prints of many of these are available here, contact me if there’s one you would like that is absent.
BEST LIVE MUSIC
Pentagram @ Soundstage
Downtown Boys @ U+NFest 3 / Ottobar
FKA Twigs @ 9:30 Club
Gwar crowd @ Soundstage
Putrisect @ Metro Gallery
The Arcade Fire @ Verizon Center
The Soft Pink Truth @ Club Mnenomic / Paradox
Haim crowd @ 9:30 Club
Kevin Gates @ the Fillmore
Future Islands @ Floristree
Chain & the Gang @ Comet Ping Pong
Big Mouth @ Gold Bar
Betty Who @ Rock N Roll Hotel
BROS Concertus Maximus
Post Pink @ U+NFeast 3 / under a bridge
BEST EVERYTHING ELSE
Chase Lisbon.
Satan’s Satyrs.
Old Lines & friends.
John Waters.
Blacksage.
Drew Daniel/Soft Pink Truth.
Last Gold Bar show.
North Dakota.
Ottobar Staff, Tom Malenski memorial.
WATAIN
REVENGE
Black metal legends Watain are always so good live. The times I’ve seen them before I was never able to get too close, either because of circumstances, fear of getting actual pig’s blood thrown on me/my equipment, or inebriation, but this time it worked out well. Blood was still there, but less than previous tours and you could still smell the scent of grave dirt as soon as they walked out on stage…
SEE ALL WATAIN & REVENGE PHOTOS HERE | Select images from this show are available as prints
Wasn’t sure what to expect from this, but after an uninspiring set by an opener I hadn’t heard of before, FKA Twigs proved to be worthy of all the hype. The music she plays isn’t my thing, really, but she had the crowd in the palm of her hand and had a great stage setup as well. Fun show, she is going to be big.
SEE ALL MY FKA TWIGS PHOTOS HERE | Read the Wash Post review here
Pentagram
Bang!
The Pilgrim
Kings Destroy
Radio Moscow
Last month, Doom icons Pentagram played Soundstage (which is really shaping up into a great venue for metal in Baltimore) along with The Pilgrim, Bang!, Kings Destroy and Radio Moscow. Pentagram shows are notoriously hit or miss, as anyone who was at their infamous Black Cat comeback show can attest, but this night they were on their A game. It’s also always great to see them with Victor Griffin, when he is back with the band everything seems to just run more smoothly and Liebling (the famously troubled frontman of the band) seems to hold it together more. They didn’t disappoint, one of the best times I have seen them (though not sure if that first time I saw them at Sonar can be topped).
It was great to see Bang! too, a band I had always heard about but never had the chance to see – they really seemed to have a great time on stage, the first half of their set especially killed. This was apparently one of the last shows for quite some time for The Pilgrim, one of my favorite Baltimore bands. Cool that they managed to get on such a sick bill.
The other day I had an extra twenty minutes (literally) between a photo shoot and a train I needed to catch so I shot these photos of my old friends Dave Nada & Matt Nordstrom, who make dance music together as Nadastrom. We shot these close to U Street Music Hall before their monthly residency.
Check out more photos of Nadastrom from over the years here.
This was a fun assignment. Baltimore Rock Opera Society have been making really ambitious/crazy performances for awhile now, but I’ve never gotten a chance to shoot them. This year director Mason Ross and artistic director Aran Keating invited me to shoot their dress rehearsals and some behind the scenes shots. There was a lot to see, check em out.
See all the Electric Pharaoh dress rehearsal & behind the scenes photos here.