Marilyn Manson ‘The Pale Emperor’ Tour Opener.

Marilyn Manson @ Fillmore Silver Spring
Marilyn Manson @ Fillmore Silver Spring
Marilyn Manson @ Fillmore Silver Spring
Marilyn Manson @ Fillmore Silver Spring Marilyn Manson @ Fillmore Silver Spring Marilyn Manson @ Fillmore Silver Spring
Marilyn Manson @ Fillmore Silver Spring

I shot and wrote a thing for Noisey about the Marilyn Manson tour opener at the Fillmore… photos above, here is the text:

Yesterday, I got the all-clear to shoot the Marilyn Manson tour opener in scenic Silver Spring, Maryland. After a hiatus of sorts, my generation’s number one shock rocker is back with a comeback album, The Pale Emperor, and this show would be the first chance for live impressions. I’ve never been a Manson fan really; as a teenager, I liked some of the early songs like “Lunchbox,” and once saw him open for Nine Inch Nails, but by the time he hit full superstar mode, I was too busy listening to hardcore and screamo records to care very much about what Brian Warner was getting up to. Still, the guy is an icon—of course I wanted to see his show!

After navigating a line that literally wrapped around the block (later, I was told that concertgoers had started lining up twelve hours before doors), I went in expecting some serious 90s rockstar antics. I wasn’t disappointed. In a set filled with solid hits, Manson’s show also featured multiple costume changes (including four costume changes for the microphone itself), casual cockiness and furious anger at the sound guy, calls for fans to throw drugs on stage (he casually picked up one baggie containing an impressive amount of powder and filed it away in his back pocket for later), a contingent of women with their tops off and Manson lyrics written on their bodies, and of course, calls for the crowd to suck his dick. In true rock star fashion, any time he was done with an object—a microphone, an open bottle of water, a glass of liquor—he just let it drop to the ground, and someone would scurry over there to put it back in its rightful place without the show missing a beat.

After the show—which was entertaining enough to me, a non-fan, to stay until the end—the overall fan reaction seemed pretty ecstatic. One gothy teenager beamed at me and asked if I also thought that it had been the best concert ever. A few people I spoke to did say that they were disappointed with his vocals (though I must say that they sounded generally fine to me). I asked them if they thought that made the concert suck, and one of them replied enthusiastically, “No! Marilyn Manson can’t do a bad show!”

Read WELCOME BACK TO THE DOPE SHOW: PHOTOS FROM MARILYN MANSON’S ‘THE PALE EMPEROR’ TOUR OPENER on Noisey | SEE ALL THE PHOTOS HERE

Maryland Death Fest 2013 Preview

Now in it’s eleventh year, Maryland Death Fest has a long history of bringing a wide assortment of heavy bands to the city, from mainstream acts to obscure cult favorites, and everything in between. On May 23-26th, MDF returns to the former home of Sonar (407 E Saratoga Street) and expands to take over even more of the street and parking area as well as a satellite stage devoted to hardcore and punk, located at Soundstage (124 Market Place). There will be dozens of bands performing, let’s take a look at some things you shouldn’t miss:veroxybd.com

Pentagram & the Obsessed on the same bill
Both bands formed in the 70s (Pentagram in Alexandria, VA, the Obsessed in Potomac, MD), both are extremely influential, and both have iconic frontmen – Pentagram’s troubled Bobby Liebling and Scott “Wino” Weinrich of the Obsessed, as well as St Vitus and many other projects. There probably aren’t two metal bands from the DMV that have as enduring of a legacy as these two acts, and while they have reunited before, each tour has a “this could be the last time” vibe. (Disclosure: this author released two records by one of Weinrich’s later bands, the Hidden Hand)

INFEST reunion
One of the early and defining bands of the 90s powerviolence scene, Infest were a SoCal hardcore band with a reputation for great live performances, strong political stances and a small handful of influential releases on labels like Slap-a-Ham and Deep Six. They disbanded in 1996, before the peak of their scene’s popularity, so this MDF appearance will be many fans’ first chance to see them play.

Exclusive US Venom performance
Formed in the late 70s, Venom are an extremely influential band (they coined the term Black Metal, now a dominant genre), though arguably more for their use of dark, satanic imagery and over-the-top stage costumes and personas than their music. This is their only US show in 2013, and probably for the foreseeable future, and should be a fun experience, if only for frontman Chronos’ stage banter and showmanship.

Rare U.S. Bolt Thrower appearance
This is a rare US show for this long-running UK band who are apparently reluctant to come to this side of the pond. Their two appearances at 2009’s MDF (one announced, one by surprise) were the highlights of that year’s fest – full of energy and fun. This will be your only chance to see them on the east coast, so don’t miss it.

Sleep
California stoner metal band Sleep specializes in droning, meditative, weed-soaked Sabbath worship. Their hour-long set on Sunday is just shy of long enough to play their epic 63-minute song, Dopesmoker. Here’s hoping that the organizers will let them squeeze the whole thing in. Either way, this will be a set that stands out from most of the other acts at the festival.

For more information on tickets, a full running order, and more go to: http://www.marylanddeathfest.com/

Bangers and Thrash : March 2013 Edition

Starting off a strong month of heavy shows is Baltimore d-beat band Old Lines, who have been playing out a lot in support of their self-titled first LP. See them Wednesday, March 6 with straight edgers WarXGames and Big Christ at Club K. Also coming up at Club K is Holly Hunt, a new band featuring members of Cavity and Floor (two of my favorite dark, sludgy groups of the 90s). They’re playing with D.O.C., Radical Discharge and Eddie Brock on March 18th.http://dekor-okno.ru

Last year, Baltimore musician Jason Donnells (The New Flesh) split for greener pastures but thankfully he’ll be back long enough for his most recent band, Friend Collector, to play a show in town. See them at the Bell Foundry on March 25th with Curse and Multicult. Later in the week, a new metal party kicks off on March 30th at the Borinquen Night Club on Eastern Ave, featuring performances from Lich King, Possessor, and a host of other bands. The promoters say this will be the first of a weekly metal night at the club.

Moving into April, on the 6th Tim “Ripper” Owens is performing at Cafe 611 in Frederick. I can’t say I’m a huge fan, but the guy went from being in a Judas Priest cover band, to being in Judas Priest, to having a movie made out of his life starring Mark Wahlberg as him. Pretty wild ride. The next night, Baltimore’s Passage Between opens for Kowloon Walled City and Zozobra at the Ottobar, and Cemetery Piss opens for Evil Army at the Sidebar.

Joining the ranks of other local fests like A389 Bash and the upcoming Maryland Death Fest, Chris Moore (Magrudergrind, Coke Bust) has organized a strong line-up for the first Damaged City Fest, a two day event at Saint Stephens in D.C. There are too many bands playing to list here, but some of the area acts include: Mindset, Sick Fix, Ilsa, Necropsy, Coke Bust and Give, along with out of towners like Negative Approach, Double Negative, and Dropdead. It goes down April 12-13th and passes are on sale now.

Necropsy, a Baltimore metal band new enough that several members are reportedly still in high school, have just recorded an album with Kevin Bernsten of Developing Nations for their debut release on A389 records. The album should be out in the next few months. Baltimore punk band Paper Dragons have just released an LP, Die To Please, on Wallride Records. They are also playing on April 14th at the Ottobar, with Diarrhea Planet & Tenement. Everlasting grind band Triac just released a split 12” record with D.C.’s D.O.C. on German label RSR.

Finally, on a sad note, longtime Relapse Records sales manager Pat Egan recently passed away from pneumonia complications. Egan was a beloved fixture in the metal community at large for years and Relapse‘s Pig Destroyer is releasing a benefit EP named “Mass and Volume”, which will consist of several doom metal-inspired tracks that were previously available only in Japan. Relapse has also released a 20 band compilation entitled “Patlapse”. Proceeds from both will go towards his daughter’s college fund. You can find out more at patlapse.bandcamp.com.