See all my Dope Body at SXSW shots here.
I woke up early on my second day to catch Dope Body play at Scoot Inn, at the Thrasher/Converse stage. So many sponsored stages this year. They were great and still full of energy, even bright & early, as you can see here: Continue reading
The Mean Jeans
The Night Beats
White Mystery
See more photos of these bands and more here!
Three fun bands at one of my favorite places to see shows in Austin, Trailer Space Records. Trailer Space is my FAVORITE place to see shows at SXSW – always unofficial, always cool bands, always a chill/fun vibe, always no bullshit. This year I was there for the Burger Records Fest on Wednesday and it was great – flying beer (at one point a store worker/owner/person came up to the mic to declare “we sell records, so do not pour beer on the records”), fireworks, a dancing dog, tons of kids having fun and great music. So awesome.
A sad note is that I spoke to someone from Trailer Space over email and it seems as though they are in some hard times… so buy records there if you are in Austin! I asked if maybe they would have shirts for sale on their site again and they said they would let me know, I’ll post about it if they do… great place, I hope I can go again next year!
Today I attended the Trayvon Martin rally at the Baltimore City Hall. It was packed full of people, include on the steps, which surprised me. The overall feel was positive, with everyone I interacted with being friendly. There were a few people with sort of wingnuts signs there, and a surprising amount of t-shirt vendors, but in general it felt like a very honest, positive event. I’m glad I went.
See some photos above and some more photos here.
(Posted via Instagram for sake of being able to post them “as it happened”. Follow me on twitter or instagram at @joshsisk to see more liveblogs when I do them.)
In the grand tradition I’ve been following for the last few years (see 2010, 2009, 2008, and 2007), every year I try and make a photo set of my favorite shots from the year. It’s a good exercise, I recommend it for all creative types, it lets you see how your work changes and grows over time.
This year, I am doing it a little differently… two posts. I posted my top concert posts yesterday, this is the Top Non-concert ones. Here we go!
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In the grand tradition I’ve been following for the last few years (see 2010, 2009, 2008, and 2007), every year I try and make a photo set of my favorite shots from the year. It’s a good exercise, I recommend it for all creative types, it lets you see how your work changes and grows over time.
This year, I am doing it a little differently… I am breaking it up into this post, which is my Top 15 Concert Photos of 2011, and another post of my Top 12 Photos (non-concert) of 2011 (check back tomorrow for that one). Cheating, maybe, but shooting more non-concert stuff is a goal of mine, so I decided to break them up. I’m also going to try and write a little about each… so here goes!
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I shot these with Dan in his house in… 2009? Wow. Don’t know why I never posted these. These were for XLR8R Magazine, which no longer exists in printed form (RIP). The fabric in the background is the fabric that was used (he had it hand-made) for the tent that is on the cover of Bromst (which was photographed by the lovely & talented Baltimore photographer Frank Hamilton).
Last summer, Dana and I went to Montreal for a few days. Beautiful city, and it was a really affordable trip. Highly recommended if you have never been. Check out the rest of the Montreal photos here
Photos taken in Mount Vernon in the last days of fall to announce their blessed union!
Though it almost feels like summer now in North Dakota (nicest winter I’ve seen here ever), it’s not quite as nice as in the above photos. I took these when I was in North Dakota this summer for a family reunion.
Awesome show, from beginning to end. 3 very different, yet complimentary Baltimore music groups, all on one bill! A great weekend for the Ottobar, who also hosted a sold out Wye Oak show the following night… anyway…
I have seen Matmos several times, and they are always different. This night, they chose to create a droning/grooving sort of atmosphere with a Caribbean (to my uninformed ears) feeling type of beat, very noddable and swayable. One of their songs got pretty minimal industrial, again to my uniformed ears, and I would SWEAR that on one song they used the same sample as Ministry does on one of their “Land of Rape And Honey” era records… but maybe I am just a goth.
Celebration remains one of my absolute favorite bands to see live in Baltimore… I love their old material and their newer stuff is growing on me more and more now that I have seen it played live a few times. Their set has morphed into only having one or two songs from the “The Modern Tribe” era, and they are still a treat to watch.
Dan Deacon used this show to introduce his new five piece ensemble (who I have posted about here recently) , and I really enjoyed the additional instrumentation. I think it worked best on the newer songs, ones that I assume were written for this group, but even on the classic Deacon songs, I think they added alot, especially the dual percussion. Live drums really can create a feeling like nothing else. The crowd seemed to agree, they went CRAZY, which is too be expected, and it was a really really fun set. Somehow I managed to stick it out the whole time at the front… a bit of a while since I managed that, but I was having a blast!
In the past few months I have become involved with (In) Parenthesis, a Baltimore-based photography collective. Our goal is to broaden knowledge about current issues in the field of contemporary photography, and our first curated show, Fields of Vision, is on display now at CaseWerks Gallery (1501 Saint Paul Street, Baltimore).
The Baltimore City Paper (who I work for often) wrote a story up about the show, which you can read here.
Photo L-R: Marian Glebes, Dean Alexander, J.M. Giordano, Jill Fannon, Sean Schiedt, Josh Sisk. By me & Rob Brulinski.
