ESMB = best band in Baltimore! It was good to see them with a responsive crowd – there were plenty of people really stoked to see them play a hometown show. When Yonatan Gat started I was like “uh-oh, this is NOT for me” but they managed to win me over, I ended up really liking their set.
Tag Archives: baltimore
Cocksparrer in Baltimore.
Always amazing – one of my favorite bands of all time. So stoked to get to see them in my city. If you ever get the chance, don’t sleep. I almost skipped their Philly show in 2013 and it ended up being one of the best shows I have ever seen, and I see ALOT of shows. Classic band.
Municipal Waste, Torche, Nightbirds, War On Women & Old Lines.
STACKED show. Managed to see two of the best local punk bands opening for a pretty great array of touring bands. Fun night. Soundstage continues to kill it, show-wise.
Ed Schrader, Kevin Sherry & Cats on the Lake.
This was a fun shoot. Ed texted me to ask if I wanted to take photos of him and Kevin making ‘Cats on the Lake’ shirts for a City Paper story. Since that’s not the norm, the subject assigning you the photo, I cleared it with the paper and – yep – it was indeed a story. So one afternoon I went over to Kevin’s house/studio and hung with them as they joked, made shirts, and Kevin’s roommate made dinner. You can see his legs in a few of the photos.
READ THE CITY PAPER ARTICLE HERE.
SEE ALL THE CATS ON THE LAKE PHOTOS FEATURING ED SCHRADER AND KEVIN SHERRY HERE.
Watain & Revenge @ Baltimore Soundstage..
Black metal legends Watain are always so good live. The times I’ve seen them before I was never able to get too close, either because of circumstances, fear of getting actual pig’s blood thrown on me/my equipment, or inebriation, but this time it worked out well. Blood was still there, but less than previous tours and you could still smell the scent of grave dirt as soon as they walked out on stage…
SEE ALL WATAIN & REVENGE PHOTOS HERE | Select images from this show are available as prints
Pentagram, Bang!, The Pilgrim, Kings Destroy & Radio Moscow @ Soundstage
Last month, Doom icons Pentagram played Soundstage (which is really shaping up into a great venue for metal in Baltimore) along with The Pilgrim, Bang!, Kings Destroy and Radio Moscow. Pentagram shows are notoriously hit or miss, as anyone who was at their infamous Black Cat comeback show can attest, but this night they were on their A game. It’s also always great to see them with Victor Griffin, when he is back with the band everything seems to just run more smoothly and Liebling (the famously troubled frontman of the band) seems to hold it together more. They didn’t disappoint, one of the best times I have seen them (though not sure if that first time I saw them at Sonar can be topped).
It was great to see Bang! too, a band I had always heard about but never had the chance to see – they really seemed to have a great time on stage, the first half of their set especially killed. This was apparently one of the last shows for quite some time for The Pilgrim, one of my favorite Baltimore bands. Cool that they managed to get on such a sick bill.
Baltimore Rock Opera Society – Electric Pharaoh.
This was a fun assignment. Baltimore Rock Opera Society have been making really ambitious/crazy performances for awhile now, but I’ve never gotten a chance to shoot them. This year director Mason Ross and artistic director Aran Keating invited me to shoot their dress rehearsals and some behind the scenes shots. There was a lot to see, check em out.
See all the Electric Pharaoh dress rehearsal & behind the scenes photos here.
U+N Fest 3.
UNfest 2 with Gories, Pissed Jeans, Peach Kelli Pop & more!
UNfest 3 is this weekend, so enjoy the above photos from 2013’s fest! You can buy tickets for this year’s fest here.
Click here for all the photos from UNfest 2.
Click here for day one and here for day two photos from UNfest 1!
(These photos originally ran on Noisey.)
Windhand, The Pilgrim, All Of Them Witches @ the Ottobar
Good show at Ottobar the other day (week? slowly getting my site up to date). Really dug the chance to see Windhand, as this was the first time I had seen them in a non-festival setting. The Pilgrim is always great, one of my favorite heavy Baltimore bands.
See all the WINDHAND, THE PILGRIM, ALL OF THEM WITCHES photos here!
Rat Fist & Ed Schrader’s Music Beat @ Floristree.
Saw Baltimore’s Best Band, Ed Schrader’s Music Beat awhile ago at venerable DIY venue Floristree along with Rat Fist, a new band made up of members of No Age and Pissed Jeans. Long time homie Sean McGuiness of PJ (and various back-in-the-day DC bands) drums and sings for Rat Fist, so I couldn’t miss it. Great show. ESMB really deserves all the attention they are getting, what a great band. Seeing shows at Floristree is a really good experience because it feels so home-y (after all, it is a home) and the crowd is generally so respectful and into the music. They even have a better sounding PA now, too!
See all the RAT FIST / ED SCHRADER’S MUSIC BEAT photos here!
Roomrunner band photos, 2014 edition.
I’ve known the Roomrunner fellows since they became a band and I’ve known Denny Bowen since he was in high school, back when his early bands Yukon and Economist used to play shows in my basement, usually at the request of Sean Gray, another old friend who runs Accidental Guest, the label that is putting out the new Roomrunner record. I think I have taken almost all of their promo photos, but this was the first time we did it not after a show and a lot of beers. It was still fun. Great fun, actually- rambling around the Copycat building, petting Dan’s cute cat, climbing up on the roof and dodging weird moss and horsecrab corpses (no joke).
Dan Deacon: Reflektor Tour 2014 @ Verizon Center
Wham City members Robby Rackleff & April Camlin lead the crowd in interpretive dance.
The other day I shot Dan Deacon and Arcade Fire for the Washington Post at their Verizon Center stop of the Reflektor tour. I initially was a little worried that the show would be a little empty, or that the crowd wouldn’t ‘get’ Dan’s typical group-participation antics. I was wrong – though it took a minute for the large venue to fill in, it eventually got packed in there and it seemed like everyone was super happy to join in with Dan.
Some funny moments of the show for me: at these big shows, photographers always have media handlers who take you where you are supposed to be. However, since Dan set up at front of house to play, they were like “wow, I don’t know what’s going on, just do your thing,” which rarely happens. Also, was surprised to find that grindcore legend Scott Hull was in attendance. He asked me what Dan Deacon was all about, I tried to explain it, and assumed it wouldn’t be to his taste… but he loved his show!
See all the Dan Deacon : Reflektor Tour @ Verizon Center photos here!
See all the Arcade Fire photos from Reflektor Tour here!
Adam Savage’s bday w/ Pig Destroyer, Magrudergrind, Cemetery Piss & Putrisect
Cemetery Piss (cricketcemetery.bandcamp.com)
Putrisect (putrisect.bandcamp.com)
For his birthday, Baltimore promoter Adam Savage gave us a present – a sick party at the Metro Gallery (a venue that has stepped up it’s game of late with a remodel, new stage as well as way more metal shows). Local newcomers Putrisect are the most promising new band I’ve heard this year- brutal, guttural howling vocals, killer riffs and a “fuck y’all” live performance attitude add up to a band to watch. Black Metal band Cemetery Piss (featuring the birthday boy himself) have been a fave of mine for awhile but they just keep getting better and more consistent. Pick up their new 7″ if you are at all a fan of the genre. I had to slip away at this point to go to LadyFest to see Whore Paint, but Inter Arma’s set was, by all accounts, incredible. Magrudergrind killed, as always – love those guys and the crowd obviously did as well. Finally, it’s great to see Pig Destroyer strutting their stuff as a five-piece – they have been playing a lot of out of town dates, and it shows in how together they are. One of the best times I’ve seen them in awhile (and I’ve seen them a lot). Super secret birthday suprise: A Pig Destroyer Misfits cover set with Adam joining in on vocals!
Earlier in the day, I shot Pig Destroyer and Magrudergrind band photos, so be on the lookout for those soon…
Lady Fest 2014 – Days 1 & 2.
Big Mouth (bigmouthsound.bandcamp.com)
Whore Paint (whorepaint.bandcamp.com)
Coup Sauvage & the Snips (coupsauvage.bandcamp.com)
War On Women (waronwomen.bandcamp.com)
Lizz King (www.ehserecords.com/lizzking)
Dasher (dasher2.bandcamp.com)
Curse (cursebaltimore.bandcamp.com)
Trophy Wife (trophywifetheband.bandcamp.com)
Crimson Wave (crimsonwave.bandcamp.com)
Nervosas (nervosas.bandcamp.com)
This was such a great event. Two days of bands, workshops and community in Station North. Got to see some of Baltimore’s best bands and discover quite a few out of town acts that I had never heard of – Coup Sauvage and Whore Paint in particular impressed me. Baltimore rules.
Last night of the Gold Bar with Diarrhea Planet & more.
Saturday night was the last night of The Gold Bar, an amazing local venue started by Dana Murphy of Unregistered Nurse Booking. In the same building as the Crown, it was unfortunately only open for a little less than six months, but in that short time managed to have amazing shows like Skull Defekts, the Death Set, Nothing, Big Mouth, and dozens more that I was too wizened to take pictures at.
A really cool spot and Baltimore is poorer with it gone – but Diarrhea Planet, Cowabunga Pizza Time, Ratboiler and Music Band, along with a packed house of local troublemakers, gave it quite the send-off. Beer, silly string, confetti, champagne and bodies were all flying through the air by the end of the show (sooner, actually), which sold out by 9pm. Everything got a little fuzzy (and messy) there at the end, but it’s safe to say everyone had quite the time.
Penultimate Gold Bar show, Big Christ’s last show + Old Lines.
Friday night one of my favorite Baltimore bands, Big Christ, played their last show at the Gold Bar (itself winding down – this was the second to last night of the venue’s existence) with another local favorite, Old Lines. Big Christ has been around for a bit, playing noise rock/punk in the vein of Black Flag or Shellac… clearly enunciated, bold lyrics with pounding, lurching music backing it up. They have a couple release up on their bandcamp, but I don’t think any of them really compare to their live sound. I saw them play recently with Protomartyr and was struck by how good they sounded; Friday they had improved even more. Apparently one or more members are moving away, a shame, was looking forward to them developing further.
The night was capped off (after plenty of nightcaps) by my friends Old Lines, who I’ve been talking with about providing some promo photos for their upcoming release on No Sleep for awhile now. Finally the night seem primed for everyone to be drunk enough for it to happen… with the help of some local lovelies, of course.
SEE ALL THE BIG CHRIST & OLD LINES PHOTOS HERE
All my photos of Old Lines | All my photos of Big Christ
Ian Svenonious: the Make-Up reunion, Chain and the Gang LP release show.
My good friend Chris Richards published an article today in the Washington Post (with photo contributions from yours truly) titled “How the “Sassiest Boy in America†became the most interesting man in rock-and-roll“, and I thought this would be as good as an occasion as any to post photos from the recent Chain and the Gang show at Comet Ping Pong in DC (which marked the release of their new record, Minimum Rock and Roll), as well as photos from the once-in-a-lifetime the Make-Up reunion at the Lithuanian Hall in Baltimore.
The Lith Hall show was pretty spectacular, mainly because I have a pretty low opinion of reunions, and most I’ve been to are fairly disappointing. I forgot, however, just how good of a performer Svenonious is – while I never saw the Make-Up in their heyday, I’ve seen all or most of his bands since and he definitely still has it. Strutting the stage, engaging in his crazy banter, busting his lip on the mic and bleeding without even acknowledging it… good stuff. The rest of the band brought it as well, though I wondered about the absence of Steve Gamboa on drums.
Flash forward a year, and I’m asked to go check out Svenonious’ current band, Chain and the Gang, play at Comet Ping Pong as they bring out their new record, Minimum Rock and Roll. Equally fun time, though minus the anthem factor of having known the songs for 15 or so years… but still, they have it down and know how to work with the crowd and the initimate atmosphere brought with it a sense something crazy might happen at any moment. I was surprised, however, to find the Gang opening for the Coathangers… perhaps a sign of the times? Perhaps not since a good chunk of the crowd seemed to leave after their site, skipping the headliners.
VIEW ALL THE MAKE-UP REUNION PHOTOS HERE | VIEW ALL THE CHAIN AND THE GANG PHOTOS HERE
the Death Set e.p. release at Gold Bar (w/ Spray Paint, Wax Witches)
Haven’t updated my site in a WHOLE YEAR. Wow. Going to rectify that, hopefully, with a bunch of new stuff and slowly posted old stuff as well. What better way of starting it off than something that combines the two – photos of old homies and former Baltimoreans THE DEATH SET, playing an e.p. release show for their new record on Dim Mak, ‘King Babies’ at the Gold Bar?
A great night of seeing old friends, though a bunch of old heads I expected to see didn’t make – I guess we are all getting old now. Still, Johnny and Dan tore it up, played old favorites, crowd surfed, jumped around and generally reminded us all why TDS were considered Baltimore’s Best Live Band back in the day… good times.
The Death Set, ‘Light the Fuse’ from King Babies
Flashback to: the last time Death Set played in Baltimore, when they played Sonar with the F Yeah tour (which is now a documentary), and one of my favorite shows ever, them and Matt & Kim at the Lo-Fi Social Club, before it became the Hexagon then Dan Deacon’s studio.
Baroness’s John Baizley on their crash, comeback, and Baltimore show
I first saw Baroness in late 2003, at a show at the old Talking Head Club on Davis Street. From seeing that early show, as well as listening to their demo, it was clear that this Savannah-based band were destined to be a big deal. Over the years, I’ve followed their rise to the heights of the metal scene (and, in the interest of full disclosure, also met them and booked a show or two for them along the way). Like everyone else, I was horrified to hear that their tour bus had crashed in the UK, leaving 3/4ths of the band severely injured. While guitarist Pete Adams received only minor injuries, John Baizley, vocalist and guitarist suffered extreme damage to his left arm and left leg, requiring complex surgeries and months of physical therapy. Drummer Allen Blickle and bassist Matt Maggioni both fractured vertebrae, and have since left the band. That was on August 15, 2012, at the beginning of the tour for their then-new album Yellow & Green. After a nine-month hiatus, the band is going back out on the road, with some changes, and is playing Baltimore on Saturday. I spent a few minutes catching up with John Baizley on the phone:
CP: It’s cool that you are coming back to Baltimore right at the beginning of the tour, it’s been awhile off the road – how are you feeling about touring again?
JB: The Baltimore show will be our second show back. We’re really excited about doing it again, because we haven’t been on tour in almost a year now. It’s not been fun.
CP: What’s preparing for this return to the road like?
JB: It’s good, it’s work. We’re finally working again, and that’s a super good thing. After we got in our wreck last year, it’s like ‘okay, now you can’t do -anything- for awhile’. At this point we’re all healthy enough to be rehearsing as much as we can, we have a new rhythm section basically, so we have to learn everything, kind of start from square one again, figure out exactly where we are physically and musically, get back on the road and start doing it again.
CP: Sebastian Thomson (of Trans Am) is the new drummer, how is that working out?
JB: It’s awesome, he’s a kickass drummer, I’ve been a huge Trans Am fan for years, so it’s awesome to have the opportunity to play with somebody that’s made music that has influenced you and of which you’re a fan. It’s totally kick-ass. Part of what we do in Baroness is spend a lot of time considering the chemistry of the members. He gets it and we all get along, it’s great. It literally couldn’t be a better situation.
CP: He doesn’t live in Philly (where the band is based), though, does he?
JB: He and our bass player live in brooklyn, but we can have practices and do all the things we need to do, like learn and get better at music.
CP: This is going to be the first time the Yellow & Green material is going to be played by the band in the states, right?
JB: Yeah, ever. I’ve done some solo tracks, but quite literally, these will be the first live performances of the full band playing them in the states… and, really, we did a couple of shows in Europe with them, but not even enough that we got comfortable with it and I think at the time we were playing them, most people didn’t know the songs yet either. It’ll be cool to play them to an audience that knows the songs.
CP: Now that everyone has had a year for the album to soak in.
JB: Yeah, that could be a good thing or a bad thing. I’m hoping it’s a good thing. It’s good when there is some comprehension happening, and people can anticipate the songs or get excited about our setlist, have a good time singing along, hopefully. That remains to be seen – this will be as big a surprise for me as it will be for everyone else at the show.
CP: Are the setlists going to mostly focus on the newer material, or…?
JB: We always play a good cross section of our back catalogue and I intend on keeping it that way. We won’t eschewing the old songs in favor of purely new songs. We’ll always dip back and play the good songs off the old records. It’s fun to do.
CP: I saw you play a solo set in Austin for SXSW, you played some new material – are you already working on a new Baroness record?
JB: Honestly, I don’t know. It’s been a lot of energy to get this first tour together. So much so, in fact, to consider anything else has been a distraction. So we put all our energy into this, in developing a rapport with the new guys, teaching them the songs, getting comfortable with it and hopefully working towards not just being comfortable with the material, but being better than we were.
CP: How long has the new group been practicing? How long are you going out?
JB: About a month and a half- not terribly long. It’s a 3 week tour, couple weeks off, then another month on, then we’ll take another weeks off, then a couple things after that.
CP: How are Allen (Blickle, the band’s founding drummer) and the other guys?
JB: Everybody’s doing well, we’re all pretty much past the intense physical therapy side of things, kinda moving forward and getting on with our lives.
CP: It was pleasantly surprising to see how fit you seemed in Austin, and how well you played.
JB: That was actually a very difficult set to play, I was in quite a lot of pain, but you’ve got to deal with it.
CP: I’m sure everyone has asked you this, but what’s your reaction to the recent news that Norman Markus (the bus driver during the 2012 crash) has refused to return to the UK to face criminal charges?
JB: I don’t even know what to say about that, you know? That is what it is. We weren’t anticipating it, we were totally fucking surprised by it, I don’t think anyone of us knows what’s going to go on with that. Sufficive to say, I am not pleased by that fact whatsoever. It’s making a complicated situation infinitely more complicated.
CP: Does the band have to go back to the UK for the trial?
JB: No, because we didn’t file charges. This is a criminal case that the UK has filed against him, and it’s not a big enough case to do extradition or anything like that, so he said ‘I’m not gonna come to the UK’ and we’re waiting to hear back what’s going to happen.
CP: One positive thing that came from this terrible situation is the large amount of support that’s come from the music community.
JB: It’s super powerful, there’s a lot of people out there I have to thank as nicely as I can because collectively this was a very big shot to us, physically, mentally, financially- in every way. We’re still, nine months later, trying to make heads and tails of it, and everybodys got their own experience with it, medical bills, psychological effects, medications and doctors visits, and continued chronic pain. It’s not pleasant, but we’re gonna get through it, and everybody’s gonna be fine at the end.
CP: One last thing- your show is during Maryland Death Fest, I know I’ve seen you there before, are you stopping in this year?
JB: if we can figure a way to get in, we’re definitely coming. Look, INFEST is playing – I’m not gonna miss that.
Baroness performs this Saturday, May 25th with Inter Arma at Rams Head Live in Baltimore.