This was amazing. Never thought I’d get a chance to see BB King, so I jumped at the chance to shoot this on New Year’s Day. The man is 84 and can still play amazingly, and is extremely cantankerous and charismatic, constantly poking fun at his band – even threatening to pull a knife on one of his players at one point! If you get a chance to see him, it’s worth the money.
Click here to view the whole BB King photo set | Click here to read the Washington Post review
Never saw this band before, but I remember people being blown away by their shows at the Black Cat back in the day… they put on a really good show, and the sold out crowd was seriously into it. Dunno if I would buy their records, but this was a fun show to shoot. Interestingly, they had us wait and shoot the middle of the set… maybe so they would get a little sweaty first?
Click here to see the whole Gogol Bordello photo set | Click here to read the Washington Post review
One of the best things that happened to me in 2010 was getting the chance to shoot regularly for the Washington Post. I saw so many amazing shows for them this year… many of which, I would never have had a chance or even the knowledge to go to otherwise. Big thanks go out to Chris Richards, David Malitz, Ally Schweitzer, and of course Kyle Gustafson for getting me on board. I decided to make a list of all the shows I shot, and highlight some favorite ones… here we go.
My Faves:
The rest after the break, and don’t forget to check out Lists: 2010, the year in concert photos which has some great photos from all of the Washington Post concert shooters, Kyle Gustafson, Brandon Wu, Evy Mages, and myself, too. A great year!
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This was an experience. Packed Verizon Center in DC. 30,000 people. Mostly ladies. All of them screaming for Usher and Trey Songz. Crazy. Usher is a total pro… this was a very well done performance. It was almost too well-orchestrated to call it a concert, but it was quite a spectacle… and Usher is definitely a showman.
Peter Hook recently toured the US playing Joy Division’s “Unknown Pleasures” with his new band, The Light. Reyan Ali and I were there for SPIN. Check out the SPIN review by Reyan here (with photos by me). Here is the whole photo set.
Two shows I shot on assignment. My first time at the Kennedy Center after almost ten years in the DC area… I felt under-dressed. The Kennedy Center show was my first time using my new 70-200 lens. Not the best shooting situation, I could have really used a 300mm… maybe next Christmas.
Read the Wash Post N’Dambi review here
Read the Wash Post Jazz Christmas review here
See more photos from these shows in my December 2010 Shows set
I went into this show knowing literally NOTHING about Aloe Blacc. I left a fan… really good performer, really catchy fun songs done in a motown style. I normally am not a big fan of ‘retro’ musical styles, but there was something about this show that just worked for me. A really good time.
Read the Washington Post Review here | See more photos of Aloe Blacc in my November Shows set
This was a lot of fun. Wale, Doug E Fresh, Trina, Choppa, Mr Vegas, the beautiful Lola Monroe, Black Cobain, and about a million more artists performed. I had to file twice from the event, which was a wild experience fraught with bad wifi connections and dying laptop batteries, but I did it. At one point a mini stampede of people literally jumped over me, on girl kicking my laptop (where I was filing photos), but I made it through and on deadline! I won’t be able to review the show better than Chris Richards, so check out the two stories from the Washington Post:
Read the Washington Post Review | Read another Washington Post blog post
Me and Michael Byrne went to the opening night of the Wham City Comedy Tour, a DIY night of comedy, skits, music, video and performance art by the Wham City Collective (and friends). Wham City is a (mostly) Baltimore-based group of artists in all media, including Dan Deacon, Ed Schrader, Dina Kelberman, Connor Kizer, Adam Endres, and many more.
Since it was the first night (and, as I found out later, the first time the whole program was performed in it’s entirety), there were a few timing issues and a few off beats, but all in all it was really entertaining… the various pieces that were performed managed to change moods, from absurd slapstick, to bleak dark comedy, to wry intellectual wit. For every gag that fell flat, there were several that hit hard and I don’t think anyone there could say they didn’t laugh out loud many times. The first leg of the tour is done, but they are going out on another soon! Check them out!
Read the SPIN review here | See the full photo set here, with NEW stuff I just uploaded!
Kris Kristofferson at the Music Center at Strathmore. This was a fun little show, also one of the rare ones where I was probably the youngest person there… the room at Strathmore has great acoustics and it was really cool to see Kristofferson live. He is pretty damn old but was still a strong performer and had plenty of anecdotes about all the songs. It was also cool to see him perform stripped down, just him, no backing band.
See more photos in my Nov. Shows set | Read the Washington Post review
I had honestly never even heard of Shinedown before I shot their show at Warner Theater in DC, they are apparently sort of a arena-style rock band. This was an “acoustic” performance of their material, which apparently is alot heavier normally than this was. They told earnest stories about the writing of each song, and the crowd seemed to love it.
See more photos in my Nov. Shows set | Read the Washington Post review
Luisa Maita at the Bohemian Caverns. I love the Bohemian Caverns and am glad I finally got a chance to shoot there! If you’ve never been and you live in DC, find the time to go. Great, intimate venue, and a historical landmark to boot. Luisa Maita’s music isn’t what I’d normally listen too but it was a good performance, she has a great voice and a really good way with the crowd, especially at an intimate venue like this.
View the whole Luisa Maita photo set | Read the Washington Post review
Last month, I got a chance to shoot Roger Water’ the Wall tour for the Washington Post and Baltimore Sun. It was quite a spectacle… probably the most complex stage show I’ve ever shot. It was really challenging, with drastic changes in lighting, pyrotechnics, props, animatronics… pretty wild show.
Read the Washington Post review here | Read the Baltimore Sun review here | See the whole photo set here
Joey & Rory @ the Carlysle Club : Read the Washington Post review.
Joshua Redman at Blues Alley. Read the Washington Post review.
Raul Malo & Shannon Whitworth at the Birchmere. Read the Washington Post review.
La Excelensia at Artisphere. Read the Washington Post review here.
You can see more photos from these shows (and many more) here.
This show was great! Over two hours (short for a GBV set, but let’s face it, none of us are as young as we used to be) and packed with classic songs. If you are an old fan of the band, don’t miss them on this tour. See the whole GBV set here, and read Phil Runco’s review of the GBV show, along with my photos, up at Brightest Young Things.
Two features up at Brightest Young Things today, both metal related, both with my photos.
Al Shipley over at Urbanite just did a nice little write-up about my book. The thing basically sold out the first run, only a couple left, but I am about to do a second run, with some expansions and some changed design elements, so feel free to purchase one – but if you want the new & improved version, it won’t be out for a bit yet! If you don’t mind the OG edition, go ahead!
Last weekend Michael Byrne and I covered the Vaselines US tour kickoff at the 9:30 Club in DC. Pretty fun show, I had never seen them before, and honestly didn’t know much about them besides that they were Kurt Cobain’s muse… well, pleasant suprise, an engaging poppy band with really foul mouthed (but in an adorable way) stage banter.
A week or so I ago was lucky enough to cover two New Orleans artists for the Washington Post – I asked my editor if he gave me the assignments because I’m from Louisiana, but no, total coincidence! The first was Trombone Shorty at 9:30 Club, who I wasn’t particularly familiar with before going in, but I figured it was going to be fun since he started the set with “As the Saints Go Marching In”… it was a pretty energetic show, Trombone Shorty has an almost unbelievable amount of energy and he got the crowd worked up to a level I haven’t seen in a long time at the 9:30.
Leo Nocentelli’s The Meters Experience (at Blues Alley) was alot more relaxed, focused more on a chiller mood that fit in with the dark atmosphere at Blues Alley, a dinner club I had never attended before. Actually, before going there, I had spent years wondering if the dinner clubs you see in old movies, where a big band plays to people dining even still existed… it does! This show was a lot less intense then the one at the 9:30, but it was chock full of stories and anecdotes about the early days of the Meters and how they came up with their songs, and so forth. Pretty interesting stuff.
Trombone Shorty photo set | Trombone Shorty Washington Post review
Meters Experience photo set | Meters Experience Washington Post review
A couple of weeks ago, I shot Paramore & Tegan and Sara for the Baltimore Sun. You can see the gallery here on the Sun site.
I am not a huge Paramore fan, but man… they were totally in control of their crowd. Especially Hayley Williams, the lead singer – she had the whole arena in the palm of her hand. As big as Paramore are now, I would be really suprised if she/they wasn’t a much bigger star in a few years…
Tegan and Sara are a band I used to like a bit, but hadn’t listen to them in a few years… they had a much calmer, but also more friendly and affable relationship with the crowd, and their set was way more pro/rock and less indie/intimate than I would have expected. Good set though.
Check out all my Paramore & Tegan and Sara photos on flickr here.
A few weeks ago, I covered Smashing Pumpkins for the Baltimore Sun. You can read the review here and also view all the photos here.
The photos of the Pumpkins aren’t that great because the band wanted everyone to shoot from VERY far back (which is not normal), so I had to do the best I could. Ah well. It was a weird show, basically half diehard Smashing Pumpkins fans who love even their recent material, and half people there for a nostalgia fix. The two sides didn’t mesh well and Corgan seemed annoyed by requests to play hits that were 17 years old. Ah well. The new stuff, for the record, still sounds pretty good even though I don’t know the songs.
Kill Hannah and Bad City opened:
