Indie Sleaze 3 was a blast! July 6th at the Ottobar, slotting in right after the legendary Lydia’ Lunch’s band played an early show, was a fun combination of old and new heads. Click here for more photos on Flickr or check my Instagram (joshsisk). Probably will post a few more throughout the week on Insta as well.
The Make-Up played at the Ottobar, and what a great show! I hadn’t seen the Make-Up since they last played Baltimore (at Lith Hall – check out the photos from that show here) in 2013, I don’t believe. Maybe they haven’t even played since then, I don’t know? They sounded even better this time, I think, and the Sassiest Boy In America still has his stage moves down pat as well, which was heartening. Speaking of that infamous article, that is actually probably how I first heard of the Make-Up, and maybe even NoU, as I remember seeing a copy of that Sassy at at a friend’s house when it came out. In ’91 I would have already have gotten into hardcore like Minor Threat and so forth, I think, but Nation of Ulysses would have probably been too weird for me.
No appearance from The Vortex at the show, at least not in costume, but I hope he is okay whoever he is. (Incidentally, I drunkenly accused Jason Hamacher of being the Vortex once and he told me who it was, but now I forget). Incidentally, it’s really hard to Google the Vortex, so if you have any good Vortex pics or stories, please reply.
Anyway, here is A LINK TO ALL THE PHOTOS
LINKS ROUNDUP
CARCASS
CROWBAR
Another catch-up post! Two classic metal bands who have been touring a lot lately, it was good to catch them at Soundstage, though, one of my favorite places to see shows these days. Crowbar really put on a good show this evening, was stoked since there were issues with their MDF set the last time I saw them in Baltimore. Great band. Carcass is a band I never expected to be touring again like this, and each time could be the last time seeing them so I was super stoked to catch them again as well… right now feels like the best time to be seeing heavy bands play since the late 90s or early 00s.
Digging through the stacks on this Thanksgiving eve and finding lots of old gems I haven’t posted. Here are some photos of my pals PURE JUNK from last year, playing a show at the Ottobar. Perhaps opening for Fred & Toody of Dead Moon? This was a fun night. Look for more posts soon (I always say that, but for real this time).
This show was great. I didn’t know much about Spalding going it but it turns out she is quite the performer – both in a musical sense and the dramatic. The concert was more like a musical stage play, performed to a absolutely sold-out 9:30 Club. If you are a fan of her music I would say don’t miss out on the chance to see her live; I thought it was great and I was just some guy off the street, essentially.
Read the Washington Post review here | See all my photos from the show here
Watain never disappoints. Always a great show, always a terrible smelling show. I had heard they wouldn’t be as vigorous with the blood and animal carcasses on this tour, but that proved to be wrong. The next day at Thanksgiving Dinner, someone asked me if I had spilled food on my jeans and I had to admit that it was congealed pig’s blood.
INCANTATION
OLD LINES
Killer show for a good cause – helping a local member of the metal scene out with some extensive medical bills. Incantation and Old Lines were great this night, as was Putrisect, though my camera wasn’t cooperating for their set.
This week marked the relaunch of a Baltimore institution: the Ed Schrader Show! Long before Ed helmed Ed Schrader’s Music Beat, he was known for hosting the always-unpredictable Ed Schrader Show, a live talk show held at various spots around Baltimore. The show would present various notable (and often unsung) people of Baltimore and sitting them down for a chat with Ed in his unique interview style.
After taking some time to focus on music pursuits, this week Ed brought the show back to Metro Gallery and interviewed artist Dina Kelberman (check out her project I‘m Google) and rapper DDM (who is also in the stellar group Bond Street District), both long-time members of the creative scene here in Baltimore.
It was a great show, full of funny moments as well as heartfelt, insightful ones. I’ll add a podcast link here when it goes up- this is just the first in a monthly series of new shows, so you can come to Metro Gallery in march for next month’s taping.
Trying to catch up on posting photos after an autumnal lull due to life stuff and an ailing laptop – this is one of the more fun shows I’ve been to in awhile, it felt like a wild Baltimore rager that doesn’t seem to happen as much anymore. Dope Body shows in Baltimore are always fun as hell, but this one was an especially great night.
Alex Ebstein, artist
Dave Sherman, Cafe Cito
Constance Benton, the Club Charles
Jeff Swedarsky, arm transplantee
Opie Crooks & Spike Gjerde, Woodberry Kitchen
Some recent portraits I’ve taken for City Paper.
<img src="https://c1.staticflickr .com/1/523/18996774666_2f63f1d4a0_c.jpg” width=”800″ height=”586″ alt=”Kate Tempest @ U St Music Hall”/>
Shot UK rapper/wordsmith Kate Tempest for the Washington Post. Good show, was expected to not be too interested in her music but was pleasantly surprised by this one. Those are the best assignments- when you go in blind and find something cool that you didn’t expect.
SEE ALL THE KATE TEMPEST AT U HALL PHOTOS HERE | READ THE WASHINGTON POST REVIEW
Ed Schrader’s Music Beat
Yonatan Gat
Paperhaus
Post Pink
ESMB = best band in Baltimore! It was good to see them with a responsive crowd – there were plenty of people really stoked to see them play a hometown show. When Yonatan Gat started I was like “uh-oh, this is NOT for me” but they managed to win me over, I ended up really liking their set.
I shot and wrote a thing for Noisey about the Marilyn Manson tour opener at the Fillmore… photos above, here is the text:
Yesterday, I got the all-clear to shoot the Marilyn Manson tour opener in scenic Silver Spring, Maryland. After a hiatus of sorts, my generation’s number one shock rocker is back with a comeback album, The Pale Emperor, and this show would be the first chance for live impressions. I’ve never been a Manson fan really; as a teenager, I liked some of the early songs like “Lunchbox,†and once saw him open for Nine Inch Nails, but by the time he hit full superstar mode, I was too busy listening to hardcore and screamo records to care very much about what Brian Warner was getting up to. Still, the guy is an icon—of course I wanted to see his show!
After navigating a line that literally wrapped around the block (later, I was told that concertgoers had started lining up twelve hours before doors), I went in expecting some serious 90s rockstar antics. I wasn’t disappointed. In a set filled with solid hits, Manson’s show also featured multiple costume changes (including four costume changes for the microphone itself), casual cockiness and furious anger at the sound guy, calls for fans to throw drugs on stage (he casually picked up one baggie containing an impressive amount of powder and filed it away in his back pocket for later), a contingent of women with their tops off and Manson lyrics written on their bodies, and of course, calls for the crowd to suck his dick. In true rock star fashion, any time he was done with an object—a microphone, an open bottle of water, a glass of liquor—he just let it drop to the ground, and someone would scurry over there to put it back in its rightful place without the show missing a beat.
After the show—which was entertaining enough to me, a non-fan, to stay until the end—the overall fan reaction seemed pretty ecstatic. One gothy teenager beamed at me and asked if I also thought that it had been the best concert ever. A few people I spoke to did say that they were disappointed with his vocals (though I must say that they sounded generally fine to me). I asked them if they thought that made the concert suck, and one of them replied enthusiastically, “No! Marilyn Manson can’t do a bad show!â€
Read WELCOME BACK TO THE DOPE SHOW: PHOTOS FROM MARILYN MANSON’S ‘THE PALE EMPEROR’ TOUR OPENER on Noisey | SEE ALL THE PHOTOS HERE
WATAIN
REVENGE
Black metal legends Watain are always so good live. The times I’ve seen them before I was never able to get too close, either because of circumstances, fear of getting actual pig’s blood thrown on me/my equipment, or inebriation, but this time it worked out well. Blood was still there, but less than previous tours and you could still smell the scent of grave dirt as soon as they walked out on stage…
SEE ALL WATAIN & REVENGE PHOTOS HERE | Select images from this show are available as prints
Shot some promo photos for Virginia doom/stoner/70s influenced rock band Satan’s Satyrs. Fun group of guys and I think we came up with some cool stuff. Check them out here.
I’ve known the Roomrunner fellows since they became a band and I’ve known Denny Bowen since he was in high school, back when his early bands Yukon and Economist used to play shows in my basement, usually at the request of Sean Gray, another old friend who runs Accidental Guest, the label that is putting out the new Roomrunner record. I think I have taken almost all of their promo photos, but this was the first time we did it not after a show and a lot of beers. It was still fun. Great fun, actually- rambling around the Copycat building, petting Dan’s cute cat, climbing up on the roof and dodging weird moss and horsecrab corpses (no joke).
The other week, I shot Baton Rouge rapper Kevin Gates at Fillmore. I was expecting to be underwhelmed, as most hip-hop shows I go to lately have been fairly disappointing… a lot of the younger artists haven’t been playing shows that long and seem to lack the showmanship you used to see. Not Gates, though. After a slow start, I was pleasantly surprised as he burst into life, stalking back and forth on stage, calm one moment, barely contained energy the next. The crowd ate it up, too. Good show, fun to shoot too, as he kept interacting with crowd members.
See all my Kevin Gates at Fillmore Silver Spring photos here!
Read the Washington Post review here.
I shot the Arcade Fire Reflektor Tour at Verizon Center for the Washington Post. Was a little skeptical at first, having not kept up with them in years, but I thought the show was fun, and fun to shoot. The reviewer didn’t seem to like it much, but I had a good time.
See all the Arcade Fire : Reflektor Tour photos here!
See the Dan Deacon photos from Reflektor tour here!
Wham City members Robby Rackleff & April Camlin lead the crowd in interpretive dance.
The other day I shot Dan Deacon and Arcade Fire for the Washington Post at their Verizon Center stop of the Reflektor tour. I initially was a little worried that the show would be a little empty, or that the crowd wouldn’t ‘get’ Dan’s typical group-participation antics. I was wrong – though it took a minute for the large venue to fill in, it eventually got packed in there and it seemed like everyone was super happy to join in with Dan.
Some funny moments of the show for me: at these big shows, photographers always have media handlers who take you where you are supposed to be. However, since Dan set up at front of house to play, they were like “wow, I don’t know what’s going on, just do your thing,” which rarely happens. Also, was surprised to find that grindcore legend Scott Hull was in attendance. He asked me what Dan Deacon was all about, I tried to explain it, and assumed it wouldn’t be to his taste… but he loved his show!
See all the Dan Deacon : Reflektor Tour @ Verizon Center photos here!
See all the Arcade Fire photos from Reflektor Tour here!
