DC band Hume, playing as part of the Sockets Records showcase last week at the Black Cat.
Read the Washington Post review | See more in my January 2011 shows set
DC band Hume, playing as part of the Sockets Records showcase last week at the Black Cat.
Read the Washington Post review | See more in my January 2011 shows set
Last week I had the good pleasure of catching the assignment to shoot Dave Nada and his second Moombahton Massive party at U St Music Hall. It’s not often you get to go hang out with an old friend for work, so I relished the opportunity. I have know Dave since he was a member of Medic, a thrash/metal/hardcore band whose record I put out more years ago than I want to admit. Since those days he has been on a steady rise as an internationally-known DJ and producer, a career arc which this year hit a new high with his creation/discovery of Moombahton, a new genre of dance music that fuses elements of Dutch House and latino culture. It took the dance music world by storm and it’s momentum is still building…
Read the Washington Post Review | See the Moombahton Massive photo set
I went into this show knowing very little about Grant Hart, except that he was the drummer of Husker Du. And honestly, I don’t know a ton about Husker Du. I have met Bob Mould before, but I’m no expert on the band. I was pleasantly surprised by the show, however. Grant Hart’s music is simple, stripped down, dark songs about people who have lived rough lives (and it looks & sounds like Mr Hart has lived one too, based on his appearance and what I read about him), but with a hopeful tinge. Really good show, and I’m going to check out his solo albums.
Read the Washington Post Review | See more in my January 2011 Shows set
This was amazing. Never thought I’d get a chance to see BB King, so I jumped at the chance to shoot this on New Year’s Day. The man is 84 and can still play amazingly, and is extremely cantankerous and charismatic, constantly poking fun at his band – even threatening to pull a knife on one of his players at one point! If you get a chance to see him, it’s worth the money.
Click here to view the whole BB King photo set | Click here to read the Washington Post review
Never saw this band before, but I remember people being blown away by their shows at the Black Cat back in the day… they put on a really good show, and the sold out crowd was seriously into it. Dunno if I would buy their records, but this was a fun show to shoot. Interestingly, they had us wait and shoot the middle of the set… maybe so they would get a little sweaty first?
Click here to see the whole Gogol Bordello photo set | Click here to read the Washington Post review
This was an experience. Packed Verizon Center in DC. 30,000 people. Mostly ladies. All of them screaming for Usher and Trey Songz. Crazy. Usher is a total pro… this was a very well done performance. It was almost too well-orchestrated to call it a concert, but it was quite a spectacle… and Usher is definitely a showman.
A couple of months ago, I attended a rare joint performance of Merzbow and Richard Pinhas at the French Embassy in DC. I posted a few pictures from this show, along with my coverage of Sonic Circuits Fest, but I just found out there is going to be a CD released by Cuneiform of the performance, and some of my photos may be included, so I decided to post some more.
Here is the whole Merzbos & Richard Pinhas @ the French Embassy set. Enjoy! (And look forward to the release of the performance.)
Last month I took some photos for the Washington DC band The Gift. They are a great band, and comprised of three old friends. Henry was in Exosus, who I put out a record for in some mist-shrouded past, Beck was in Turboslut, and Mikey was in one of my favorite hardcore/punk bands from Maryland, Tradition Dies Here (among many other pursuits they’ve all been a part of). It was fun doing these shoots, even though making a “band photo” can sometimes be really ridiculous.
Speaking of which, we shot the group photos in the Black Cat before they opened, and while there, the most amazing thing happened. Apparently, Henry had told Mikey previously that “nothing he did could shock him”… so Mikey thought about it, came up with something, and revealed it to Henry during the shoot. And that is how I came to be present when Mikey showed Henry that he had gotten a HUGE photo realistic tattoo of Henry’s face on his upper thigh. Wow.
PS – Their debut record “Mostly In Sickness” comes out in January.
Two shows I shot on assignment. My first time at the Kennedy Center after almost ten years in the DC area… I felt under-dressed. The Kennedy Center show was my first time using my new 70-200 lens. Not the best shooting situation, I could have really used a 300mm… maybe next Christmas.
Read the Wash Post N’Dambi review here
Read the Wash Post Jazz Christmas review here
See more photos from these shows in my December 2010 Shows set
Maff Moffat, co-owner of DC record store SMASH organized a benefit show for Stereofaith, a DC scene stalwart (former hardcore band member, longtime DJ and promoter, all-around cool dude) who had to have some pretty serious surgery. Seminal DC band Government Issue played a reunion show, along with the classic DC-suburbs punk band The Goons. It was a really fun show, sold out but not too crazy, probably because most of the people in attendance were a little older, so it was still fun to be in that room. The Goons set was rowdy, with some circle pitting and stagediving, but things kicked up alot when Government Issue took the stage. John Stabb is a crazy guy, I’d seen YouTubes but it was awesome to see him still getting wild, 30 years later. J Robbins, Tom Lyle, and Pete Moffett got pretty wild themselves… I saw Robbins and Moffett grinning and goofing with Stabb many times, Lyle seemed to remain more serious but was definitely playing hard. All in all, a good show…
View the whole set here | Read the BrightestYoungThings story
This was awhile ago, but just now getting to it… my good friend Dave Nada just moved to LA to further his production career, and he threw a big Moombahton dance party at U Street Music Hall in DC to celebrate. They have a no-photo policy there, but I had like 10 minutes between the two sets I was shooting that night to run over and get a few quick snaps of the artists who were performing, including Matt Nordstrom, DJ Ayres, Jesse Tittsworth, Dave Nada himself and more… We literally snapped these on the street in front of U Hall, with people weaving through us on their way to go out to dinner or the clubs, then after 10 minutes I hauled ass back to 930 to shoot Die Antwoord! Fun stuff.
Good luck in LA Dave, though I know you don’t need it!
View all the photos from the set here | View all my photos of Dave Nada from over the years here
I went into this show knowing literally NOTHING about Aloe Blacc. I left a fan… really good performer, really catchy fun songs done in a motown style. I normally am not a big fan of ‘retro’ musical styles, but there was something about this show that just worked for me. A really good time.
Read the Washington Post Review here | See more photos of Aloe Blacc in my November Shows set
Wadada Leo Smith recently did a performance with his Golden Quartet, along with a Q&A, and I was there to cover it for the Post. He gave a really interesting talk about improvisational thinking, then performed several pieces. It was a really great night of music and discussion. It’d be interesting if more musicians coupled Q&A session – actual thoughtful ones, not standard PR style ones – with their concerts. You can find out more about Wadada from his label, Cuneiform Records.
Read the Washington Post review | View more photos of Wadada Leo Smith inside my November shows set
This was a lot of fun. Wale, Doug E Fresh, Trina, Choppa, Mr Vegas, the beautiful Lola Monroe, Black Cobain, and about a million more artists performed. I had to file twice from the event, which was a wild experience fraught with bad wifi connections and dying laptop batteries, but I did it. At one point a mini stampede of people literally jumped over me, on girl kicking my laptop (where I was filing photos), but I made it through and on deadline! I won’t be able to review the show better than Chris Richards, so check out the two stories from the Washington Post:
Read the Washington Post Review | Read another Washington Post blog post
Kris Kristofferson at the Music Center at Strathmore. This was a fun little show, also one of the rare ones where I was probably the youngest person there… the room at Strathmore has great acoustics and it was really cool to see Kristofferson live. He is pretty damn old but was still a strong performer and had plenty of anecdotes about all the songs. It was also cool to see him perform stripped down, just him, no backing band.
See more photos in my Nov. Shows set | Read the Washington Post review
I had honestly never even heard of Shinedown before I shot their show at Warner Theater in DC, they are apparently sort of a arena-style rock band. This was an “acoustic” performance of their material, which apparently is alot heavier normally than this was. They told earnest stories about the writing of each song, and the crowd seemed to love it.
See more photos in my Nov. Shows set | Read the Washington Post review
Luisa Maita at the Bohemian Caverns. I love the Bohemian Caverns and am glad I finally got a chance to shoot there! If you’ve never been and you live in DC, find the time to go. Great, intimate venue, and a historical landmark to boot. Luisa Maita’s music isn’t what I’d normally listen too but it was a good performance, she has a great voice and a really good way with the crowd, especially at an intimate venue like this.
View the whole Luisa Maita photo set | Read the Washington Post review
Last month, I got a chance to shoot Roger Water’ the Wall tour for the Washington Post and Baltimore Sun. It was quite a spectacle… probably the most complex stage show I’ve ever shot. It was really challenging, with drastic changes in lighting, pyrotechnics, props, animatronics… pretty wild show.
Read the Washington Post review here | Read the Baltimore Sun review here | See the whole photo set here
The other day I got a chance to shoot the Duck Down Anniversary tour, which was basically a Boot Camp Clik reunion… pretty much everyone was there. It was pretty great, and it had been awhile since I had been to a real as hell hip-hop show, so it was an awesome night.
This show was great! Over two hours (short for a GBV set, but let’s face it, none of us are as young as we used to be) and packed with classic songs. If you are an old fan of the band, don’t miss them on this tour. See the whole GBV set here, and read Phil Runco’s review of the GBV show, along with my photos, up at Brightest Young Things.
Last weekend Michael Byrne and I covered the Vaselines US tour kickoff at the 9:30 Club in DC. Pretty fun show, I had never seen them before, and honestly didn’t know much about them besides that they were Kurt Cobain’s muse… well, pleasant suprise, an engaging poppy band with really foul mouthed (but in an adorable way) stage banter.
I was lucky enough to cover Christian Fennesz’ performance at the Sonic Circuits festival… it was at the Strathmore Mansion, a very intimate (and classy!) location for a concert. Fennesz has only rarely played in the US and the small room was packed with very lucky people… I’m sure there must be footage of this somewhere on youtube, but it’s not a replacement for being in that room and hearing Fennesz perform. A great night.
Read the Washington Post review | See the rest of the Fennesz photos.
I was also able, thanks to the awesome people at Wayside Music (waysidemusic.com) and Cuneiform Records (cuneiformrecords.com), attend a EXTREMELY rare collaborative performance of Merzbow and Richard Pinhas at the French Embassy in DC. This was by far the most SECURE show I’ve ever been too, and in fact when I tried to leave the show, was locked in the super luxurious grounds until an unseen person remotely opened the steel gate. So surreal. We also got to pal around with Richard and his son and discuss America, France, and all sorts of topics. Richard was really funny in person and his son was a trip!
The show itself was pretty great – Merzbow creating sonic textures on his laptop/electronic gear while Richard Pinhas played analog soundscapes with his guitar rig. Great stuff, and again, a packed theater. I’m not sure if this is the first Sonic Circuits festival, but this year was quite an accomplishment and I am already looking forward to 2011’s!