I shot a few quick portraits of Scottie B and Cullen Stalin for a City Paper article, on stands now.
Cullen Stalin and Scottie B lay No Rule to rest – read the City Paper article here
I shot a few quick portraits of Scottie B and Cullen Stalin for a City Paper article, on stands now.
Cullen Stalin and Scottie B lay No Rule to rest – read the City Paper article here
Dillinger Escape Plan played a not-quite-secret-but-unpromoted show at the Talking Head, a very small venue behind Sonar after their recent two days opening at Sonar for the Deftones. It was pretty crazy! Everyone that showed up was a devout fan and there was alot of diving, surfing, moshing and other shenanigans. By the end of the show, the ceiling air duct was destroyed and the guitarist’s face was covered in blood. Wild times.
Finally! The last MDF 2011 post… so many photos to dig through! This final day was pretty fun, though I was dead tired. The surprise of the day for me was probably Skinless’ last show, which was ridiculous, with the singer stagediving and jumping into the crowd constantly. Malignent Tumor, who I’d never heard before, had a circle pit like no other, full of inflatable penises and other assorted insanity. Most fun crowd experience of the fest. Also, Nuclear Assault invited the crowd on stage with them, which was really really fun.
Other notable things were the dude from Exhumed playing in ANOTHER band (Gravehill), Cthulhu showing up for a visit, me saying I’d believe that Ted Leo was going to be playing with Citizens Arrest when I saw it… then realizing I was standing next to Ted Leo.
Another big deal for me was managing to make (with the help of my friend Dustin) this happen:
Yes, that’s Marel, the woman from the Deathfest City Paper cover, posing with Jason, the security guy in the photo, both standing in the same spot that picture was taken last year. I had tried to connect with her for several days, we finally managed to make it happen on Sunday. She was really nice, and said that she started getting texts about the City Paper cover as soon as her plane landed at BWI and thought people were joking! Too funny. Glad we could get this shot.
Over the halfway mark with my MDF photos! Day 3 was a little more relaxing for me, the highlight was getting to see Exhorder, a New Orleans thrash metal band that I grew up on and hearing about, but never was able to see live (a little before my time), as well as seeing Voivod again… they were excellent and the crowd seemed super stoked. Many people told me their set was their high point of the whole show. My favorite discovery of this day was Acid Witch, who I had never heard before but who I thought were excellent live. Cretin was also good live, playing with Matt Harvey from Exhumed (he seemed to be guesting in at least one band a day at this MDF).
Day 2 was pretty epic. I saw several bands that I had never seen before, the standout of which was Exhumed… amazing live, totally over the top, with chainsaws and severed heads and fake blood… just really fun. Marduk were great live, too… but seeing Corrosion of Conformity with the classic line-up was really great, as was meeting Woody from CoC and Steve Von Till of Neurosis. Right before Neurosis played, an epic rain storm loomed which threatened to end or severely delay their show… but hundreds of fans stood in the rain to wait it out, and they cheered and pumped their fists every time there was a flash of lightning. Pretty awesome and totally metal. When they finally came on, they were great and played a barely abridged set. It was slightly less epic on an outdoor stage than the last time I saw them, at the Masonic Temple in Brooklyn, but they were still great live and actually played some older songs (Souls At Zero and Through Silver In Blood), which surprised me. This was a great second night of the fest.
The other week, I shot Tune-Yards (or tUne-YaRdS, or some strange capitalization) and Buke and Bass at the Red Palace. The Red Palace is becoming a favorite place of mine to see shows in DC, decent lighting (LEDs, though), nice beer selection, small room but you can see the artist pretty well regardless… I had never heard Tune-Yards before, which was basically a one-person band with some back-up on some songs from a bassist and a horn section, but it was an interesting show. She makes loops with her voice, right on the spot, and then plays over them… she creates a sound that is reminiscent of African traditional music (to my ears, anyway), mixed with drone/ambient. Pretty interesting stuff.
The other week, I shot the Arctic Monkeys and the Vaccines for SPIN… I am not super knowledgeable about either band, but fun show, good lighting, good sound… the Arctic Monkeys were lively, more so than I had been led to believe, and the Vaccines were fun and energetic. I hear they are a band to watch… Read the review, linked below for more details!
For the last near-decade, Maryland Death Fest has been a Baltimore Institution, bringing the best current and historic extreme metal bands to Sonar in Baltimore to play for thousands of fans. It’s literally the best and most interesting metal related event in the US. Spanning over several days (4 this year), dozens of bands play to a crowd of thousands, who travel from all over the world to be there. Because of it’s prominence, many bands choose to reunite to play it, or have their last show there, or play for the first/last/only time in the US there. Basically, it’s an amazing event. And this year’s, the Ninth Annual, starts today and last til sunday. For a list of bands and set times, click here. Chris from DC HeavyMetal posted a great Death Fest Survival Guide here.
Below are some of the favorite photos I have taken at previous Death Fests:
Bobby Liebling of a reunited Pentagram.
Bolt Thrower, who played two sets in 2009, one a surprise.
Dan Lillker playing with Autopsy.
The other monday I tackled not one, not two, but THREE shows in one evening. First I shot Ramblin Jack Elliott for the Washington Post in Rockville, MD. He played a church to a music preservation society crowd. Nice people, and a cool setting. The last time I saw him was at a huge political event in San Francisco, years ago… it was cool to check him out, even for a little bit, in a more intimate space.
Next up was Dirty Beaches at the Black Cat in DC. My girlfriend has been telling me to check out his music for quite awhile, but I must admit I had never heard Dirty Beaches until I stepped into the show. The lights were almost totally down, he was light by what looked like a single light… a white-tshirt clad 50s greaser-looking guy freaking out on a guitar, unaccompanied, playing crazy, fuzzy music out of Blue Velvet or something similar. It was pretty great. I’ve since gone back and gotten several of his records and downloads of his earlier tape only releases, and his music is great! Really recommended.
Finally, I limped back to Baltimore, dead tired, to Cullen Stalin’s No Rule party at Metro Gallery, to see DJ Ayres of the Rub and T&A Records. Ayres is an awesome guy, and a great DJ. I usually only see him at big events like SXSW or My Crew Be Unruly, so I really wanted to make it, say hi, shoot a few shots. Glad I did.
Sunday, after a looong weekend, I saw Lykke Li and Grimes play at the 9:30 Club. I had never heard of Grimes before this show was announced, but I have been a pretty large Lykke Li fan for years, since before her debut album Youth Novels came out. Grimes turned out to be a one woman band, who played an odd, eclectic mix of pop/noise/danse music. I’d have to listen to her stuff recorded to really pass judgement, but live it was interesting, if really distorted.
Lykke Li, who I’ve seen before, has upgraded her sound and more than upgraded her stage show. The set was almost like an arena rock performance, with blasting strobes, synchronized lighting, tons of fog, weird cloth strips that hung from the ceiling and swirled around the stage… The new material is also bigger and more bombastic (even as the song thematic material is darker and somber at times), so it’s quite a spectacle. For me, it left me a little unsure if I preferred this new Lykke Li to the one from Youth Novels and before. She got her start with small, intimate songs with a stripped down sound. Part of the reason I loved those early singles and her first album (and her earlier stage show) was how it felt like she was really putting herself out there with little artifice. While this new record and show are way, way more pro and accomplished, I think it loses a little of that feel. Still, it was a super impressive show and she is certainly flexing as an artist.
Last week, Cheap Time played at the Golden West along with new Baltimore band MURDER (members of Vincent Black Shadow, Triac, Fishnet Stalkers)… it was pretty awesome (as is the norm for Unregistered Nurse shows), though I was dead on my feet from a busy week, I still had a good time. Cheap Time is on tour, check em out. Also, I took some promo photos of MURDER, they will be up in a day or two…
A few weeks back, Rye Rye and Say Whut did a video shoot at Metro Gallery in Baltimore for the Baltimore Sun. It was streamed live on the internet by a huge camera crew, as part of the promotions for Rye Rye’s debut full-length, which should be out soon (We’ve been waiting for it to drop for like a year or so!)… it was a great time, and while at first it felt a little weird, with all the lights and cameras, as soon as Rye Rye got going, the crowd loosened up and enjoyed the show… really getting into it and even taking the stage. It’s great to see her career taking off lately, and I am excited to see what happens when the album comes out! Click below to see the rest of the shots!
First show back at the newly reopened (thank god!) Sonar, and, minus booze, it was still a great time. I will admit to being extremely skeptical of the idea of Steve Ignorant doing a “reunion” tour of Crass, but after seeing it and experiencing how genuine Steve seemed about the whole thing, my opinion softened. While I don’t think it was the same as actually seeing Crass play (how could it be), it was still a cool show, the band was extremely tight (perhaps too pro at times), and the crowd was extremely into it. My one issue was that it was weird that they even attempted to do the Eve Libertine and Joy De Vivre songs, since they were not on the tour. The singer who did them NAILED it, and was very good, but it was just odd to me (no reflection on her performance at all). I would have felt more “okay” about it had they just done Steve’s songs, since it’s ostensibly his tour.
That said, glad I went, and glad it managed to happen in Baltimore… and very glad Sonar is back!
Last week I was able to shoot Kylie Minogue’s show for the Washington Post… it was a pretty amazing affair. I am not a huge fan, or even a casual fan… in fact I can only think of one Kylie song off the top of my head! But the show was really fun, full of drama and pomp and an INCREDIBLE stage setup and performance… some of the most over the top stage stuff that I have ever seen at a concert. I was told that the tour cost $25 million… and I believe it. Check out photos below:
A little while back, I had a chance to shoot BIG K.R.I.T.’s sound check at the awesome DC venue, the U St Music hall. I love shooting here, the staff is always great. They have a policy that we have to shoot the sound checks, not the show itself, which is real different from most clubs, and has it’s good and bad points. The good is we get to shoot portraits of the artists, if they are down, like the quick one I shot of Big K.R.I.T. above. He was really chill and his soundcheck sounded great. Check the links below to see more photos and read a review of the actual show!
This show was REALLY fun. Brought to you by Unregistered Nurse, this was a good time sunday rock and roll show upstairs at the Ottobar, a great venue for punk/rock shows… great bar staff, lots of room, good prices… I love the Ottobar. I imagine it must be a bitch to move all those amps and whatnot up the stairs though…
Anyway, good times, good tunes, friends. Deep Sleep and Hollywood are local Baltimore bands, Hollywood is more on the garage side of things, while Deep Sleep is a fast hardcore band, fronted by Tony from Celebrated Summer records. The White Wires are from Canada, which they kept referencing, and were also REALLY DRUNK. They kept talking about how many centiliters of whiskey they had drink, which was funny since no one in the crowd probably had any idea how many centiliters are in a normal shot… or maybe even what a centiliter is. They were great live though, and tore through a quick set of poppy rock songs.
A couple of weeks back, I caught an assignment from the Sun to shoot Wye Oak’s homecoming show at the 2640 Space in Baltimore. This is a great venue, a retired/decommissioned church in Charles Village… huge, and beautiful, withc great acoustics. I have seen a lot of great shows there over the years, such as Celebration, Future Islands & Arboretum and negativland.
Wye Oak was extremely tight, coming off a month(s?) long US tour in support of their new Merge Records album, Civilian, and the sold out crowd was super receptive… after a weird incident with a drunk guy screaming about how he loved Titus Andronicus ended with crowd members escorting him out, anyway. As Erik Maza from the Sun said to me after the show, “Who gets drunk on Sunday BEFORE going to see Wye Oak at a Church?!” But back to the show… Wye Oak were good, and supplemented with a horn section for a few songs, which I thought was interesting and sounded good, I wonder if that is going to become a normal thing?
Yesterday, I got the photos back from last month’s photo show at the Windup Space. Before I do anything else with them, I figured I’d give people a chance to buy prints from the show. All are mounted on standout boxes, so are ready for hanging. Here’s what I’ve got left: Continue reading
NYC rapper Prodigy, best known as half of the influential hip-hop duo Mobb Deep who created such classic records as …The Infamous and Hell On Earth in the 90s, spoke last night at Baltimore’s Enoch Pratt Free Library. On tour supporting the release of his autobiography, My Infamous Life, Prodigy had quite a bit to say during the roughly 60 minute Q&A, hosted by AJ from 92Q’s Rap Attack.
I’ve been a fan of Mobb Deep since 1995, when I moved to NYC and was exposed to their sophomore album, …The Infamous. I still consider this to be one of THE classic records of the 90s and it’s one of my favorite albums of all time. He also has a successful solo career as well with albums such as HNIC and 2007’s underrated Return of the Mac. In recent years though, Prodigy is more well know for a series of beefs, an abortive signing to 50 Cent’s G-unit label, and his 2007 gun possession conviction which led to him being incarcerated for 3 years.
Prodigy talked about this all, and more. Some highlights: Continue reading