Constant audio innovators Matmos are releasing a new album, Ultimate Care II, that was completely sound-sourced from their washing machine. For the release, their label Thrill Jockey had me work with them to create a series of promotional portraits. I have worked with Drew and Martin before and they are (of course) extremely creative as well as easy to work with, so I was really excited about this shoot. We played with some of things and tried to create a mix of images that ranged from your normal “band photo” to ones that were a bit more oblique or playful. Pretty happy with how this came out, and can’t wait for the album to be out – it’s really good!
Alex Ebstein, artist????? ?? ?????? ?????? ??????
Some recent portraits I’ve taken for City Paper.
This weekend, I headed out to scenic Sparks, MD for a photoshoot with my friends in Baltimore metal band Putrisect. It was a great time, featuring classic suburban fun like sneaking into an abandoned building, drinking beer next to cars and being harassed by local teens. You can check out all the photos HERE and check out Putrisect’s tunes at their BANDCAMP PAGE. As always, get in touch if you need some band photos or portraits taken.
Paradox owner Wayne Davis posted today that Paradox, the legendary Baltimore nightclub and after-hours spot, will be closing in 2016. Sad to see it go but after 25+ years, I imagine Wayne is ready to move on to something new. I took the opportunity to assemble some just a few of the photos I’ve taken there over the years…
Walked around Old Goucher/Charles Village and took some photos of my buddies in Dope Body.
PACKED house, right after the curfew was over… it was great to see so many people having a great time at this. Also cool to see Domo Genesis play, the first time I ever saw and met him was on the very first Odd Future Wolf Gang Kill Them All tour.
Finally catching up on some photos from before Baltimore Uprising… the Buzzcocks have always been great, since the first time I saw them in 99 or so with the Lunachicks in New Orleans, they always put on a great show… fun seeing them in a big room again after the more intimate Ottobar show last time.
Consistently great metal shows at Baltimore Soundstage. I had never seen either of these bands before. Yob was a band I’ve heard alot and enjoy, thought they might have been a “relaxed” band life before I saw them, but the life show was good. Made me want to crank the albums up when I got home. Enslaved is a band I’d always heard a lot about, but wasn’t super familiar with – they were great! Amazing stage presence, with little to no ‘kult’ stuff that can sometimes be a little much with European bands. They loved the crowd and played to the crowd (and the photographers) perfectly, really great performance.
Government Issue, the legendary DC hardcore band fronted by John Stabb, played a surprise show at the Ottobar recently. Pretty cool getting to see them play just blocks from my house, on a icy Sunday evening.
<img src="https://farm8.staticflickr.com/7284/16460488812_967aa589bf_c .jpg” width=”800″ height=”643″ alt=”Noisem band practice 2013″/>
Found these photos of a Noisem practice from 2013 lurking on my photo drive, never posted before. This Baltimore metal band has come a LONG way since these were taken…
THE SOFT PINK TRUTH (aka Drew Daniel)
Two of the most interesting people making experimental music today performed to a packed Metro Gallery last week. Pharmakon’s two full-lengths, Abandon and last year’s Bestial Burden, both made it to close the top of my best of lists in their respective years. She has a way of making challenging music that easily fits into the realm of noise but also is very listenable in a way that most music from that genre is not. “Listenable” is probably not the best way to describe the hellish soundscapes she creates, yet they are extremely captivating records that seems to be able to cross over to metal listeners as well as avant-garde/experimental. I’ve seen her perform three times now and each performance she seems to bring in new elements and work with the crowd aspect more and more – at Metro Gallery, she wound her way through the crowd, getting her microphone snagged on people and furniture, at one point the audience had to struggle and pull on the microphone cable en masse as she ascended back onto the stage – it was pretty interesting to watch.
Drew Daniel (of Matmos fame)’s the Soft Pink Truth project flew under my radar for many years, but when he announced that his most recent record would be a series of Black Metal interpretations entitled Why Do the Heathen Rage?, I took notice. It’s a really odd record, idiosyncratic electronic/dance versions of classic black metal tracks. And, lest you think Daniel is making fun of the genre… well, he is, sort of, but it’s the loving sort of jibe that comes from a true fan who has encyclopedic knowledge of his source material. The record won lots of accolades, including “Best Thing Ever” from the City Paper, and has led to several pretty amazing live performances, the latest of which is the one pictured above. Really unique artist that I recommend you go see if you have a chance.
BUY PRINTS HERE (including a few from this show)
Scaled down a little this year, but still a blast! I was only able to make it to half of the 4 shows that comprised this year’s event but still managed to catch a bunch of great performances, see some homies, and dodge some fireworks at Haymaker. Seeing them in that small, smoke-filled room was really a surreal highlight of my show-going so far this year.
Uploaded some odds n’ ends last night, among which were included the above: photos from Thomas Dolby’s (of she blinded me with science fame) first DJ performance, which was at the Paradox in Baltimore, and photos from a Birth (Defects) show at the Wind-up space, among many more. I still post photos on my Flickr, because of ease of use and the fact that I just have such a huge library already there, so if you want the raw feed, follow me there.
A note about the Dolby DJ set- it was pretty disappointing, I must say. Partially because so much effort was spent on presentation, so I was expecting something pretty cool. He had a DJ booth set up like a machine gun emplacement, with sandbags and walls and stuff, and a big projection thing going. But his DJ selections were just standard 80s fare… nothing too bad or anything, but the song selection just didn’t match up to his level of art direction.
ESMB = best band in Baltimore! It was good to see them with a responsive crowd – there were plenty of people really stoked to see them play a hometown show. When Yonatan Gat started I was like “uh-oh, this is NOT for me” but they managed to win me over, I ended up really liking their set.
Always amazing – one of my favorite bands of all time. So stoked to get to see them in my city. If you ever get the chance, don’t sleep. I almost skipped their Philly show in 2013 and it ended up being one of the best shows I have ever seen, and I see ALOT of shows. Classic band.
This was a fun shoot. Ed texted me to ask if I wanted to take photos of him and Kevin making ‘Cats on the Lake’ shirts for a City Paper story. Since that’s not the norm, the subject assigning you the photo, I cleared it with the paper and – yep – it was indeed a story. So one afternoon I went over to Kevin’s house/studio and hung with them as they joked, made shirts, and Kevin’s roommate made dinner. You can see his legs in a few of the photos.
Black metal legends Watain are always so good live. The times I’ve seen them before I was never able to get too close, either because of circumstances, fear of getting actual pig’s blood thrown on me/my equipment, or inebriation, but this time it worked out well. Blood was still there, but less than previous tours and you could still smell the scent of grave dirt as soon as they walked out on stage…
Last month, Doom icons Pentagram played Soundstage (which is really shaping up into a great venue for metal in Baltimore) along with The Pilgrim, Bang!, Kings Destroy and Radio Moscow. Pentagram shows are notoriously hit or miss, as anyone who was at their infamous Black Cat comeback show can attest, but this night they were on their A game. It’s also always great to see them with Victor Griffin, when he is back with the band everything seems to just run more smoothly and Liebling (the famously troubled frontman of the band) seems to hold it together more. They didn’t disappoint, one of the best times I have seen them (though not sure if that first time I saw them at Sonar can be topped).
It was great to see Bang! too, a band I had always heard about but never had the chance to see – they really seemed to have a great time on stage, the first half of their set especially killed. This was apparently one of the last shows for quite some time for The Pilgrim, one of my favorite Baltimore bands. Cool that they managed to get on such a sick bill.